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ARS: Jurnal Seni Rupa Dan Desain
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18297412     EISSN : 25807374     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
ARS merupakan jurnal ilmiah berkala yang ditujukan untuk mempublikasikan karya ilmiah hasil penelitian, pengembangan, dan studi pustaka di bidang seni rupa dan desain. Jurnal ini terbit 3 kali setahun dengan 6 artikel setiap edisi yang jatuh pada bulan Januari - April, Mei - Agustus, September - Desember.
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Articles 5 Documents
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Search results for , issue "No. 3 November 2006" : 5 Documents clear
JOGJA KOTA MURAL Bambang Witjaksono M.Sn.
Ars: Jurnal Seni Rupa dan Desain No. 3 November 2006
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.225

Abstract

Outline o f this research is to know the relation between art and power, m this case mural as anartwork and Yogyakarta municipality as the power holder. The power holder has the task to create a policyconcerning public space, including art in public space, and the function o f mural as one o f the specificcharacters o f Yogyakarta city.Besides it is also to know the program o f Yogyakarta municipality in managing its area, especiallythat which concerns art in public space, its relation with the aspects o f tourism, education and community'sinvolvement in designing the management o f public space in Yogyakarta city.Key ivords: Mural, Yogyakarta, Public space
HAK KEKAYAAN INTELEKTUAL: Selayang Pandang Tentang Hak Cipta, Paten dan Disain Industri F. Mursiati SH.
Ars: Jurnal Seni Rupa dan Desain No. 3 November 2006
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.226

Abstract

The Indonesian terms "HAKI" or "IIKI" which are equivalent to the English term IntellectualProperty Rights are considered as a new idea for Indonesians Nevertheless, the Indonesians are familiarwith the terms "Hak Cipta" "Paten" and '’Disain". Even though it is common that those words arcapplied in a sentence at the same time, e.g. 'mematenkan ciptaan" (the u>ord "paten" and "cipta '),"disain yang sudah dipatenkan"(the words "disain"and "paten"), it is a complete mistake.A creator as the subject o f "Hak Cipta " (copyright) is someone or a group o f people loho createssomething in afield o f science, art, and literature because ofhidfher/their inspiration.An invertor, the subject o f "Paten" f Pa tent), is an individu or a group o f people who conducts anactivity o f solving a problem in technology. It can beaprocess orproduct.A designer is someone or a group o f people who produces an industrial design. It can be in a form o fshape, configuration, or composition (o f lines and colors, or the combination o f lines and colors) or thecombination o f them in a form o f 3-dimertsior. or 2-dimension that gives esthetic impression and can berealized in a 3-dimensional o< 2-dimensional pattern. It can also be used to producc a product, object, orindustrial commodity and handycraft.Key words: Intellectual Property Rights (IPR) HKI, copyright (Hak Cipta), Patent (Paten;,Industrial Design (Disain Industri).
KERAMIK GANESHA F. WIDAYANTO DALAM PERSPEKTIF STRUKTURALISME LEVI-STRAUSS’ Indro Baskoro Miko Putro, S.Sn.
Ars: Jurnal Seni Rupa dan Desain No. 3 November 2006
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.227

Abstract

Ceramics o f Ganesha by F. Widayaitto represent the expressive works o f art, which different fromthe sculptures o f Ganesha as the deity in Hindu mythology during Hie time we recognized. Pursuant tocharacteristic exist in both, and so its can be detailed and then be compared to and analyzed. One o f thecorrect perspectives to analyze these kinds o f expressive arts is the Structuralism perspective i f Levi-Strauss. I low this paradigm can decompose and give the solutions to the problems o f expression arl will beformulated later in this article.Key words: Ceramics, Ganesha, The expressive works o f art, Hindu mythology, The Structuralismperspective o f Levi-Strauss.
PENGARUH ISLAM DALAM PERWUJUDAN WAYANG KULIT PURWA Drs. Sunarto, M.Hum
Ars: Jurnal Seni Rupa dan Desain No. 3 November 2006
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (549.238 KB) | DOI: 10.24821/ars.v1i3.224

Abstract

In Islam expanding in Jaw, known to have prohibition order about depiction of mortal, what hitherto still trusted by society, enjomment depiction of the mortal its wide o f impact especially at fine arts growth in Indonesia. One of the effect ofenjoiment depiction of mortal in Islam is materialization ofpurwashadow play. Prohibiton order depiction o f that mortal bring advantage in shadow play growth in Indonesia, that is creation form puppets whish stilistik with depiction o f purwa puppets by ideoplastik, a way of materialization o f mortal able to be accepted in Islam teaching.Keyword: mortal, purwa shadow play, prohibition order.
POTENSI UNSUR-UNSUR KEKRIYAAN (CRAFTMANSHIP) DALAM PAMERAN BIENNALE JOGJA VIII 2005 “DI SINI DAN KINI” Suryo Tri Widodo, S.Sn.
Ars: Jurnal Seni Rupa dan Desain No. 3 November 2006
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v1i3.228

Abstract

Craftsmanship elements is always can be found in many kind o f visual arts ivork. These elementsmay include in technicals, materials, concepts, forms, and decorative aspects. Up to now, craftsmanshipelements not only in kriya art, but they also exist in another visua. arts fields. New phenomenon anddevelopment in kriya art is always happen and parallel with 'the neto spirit'of each period, without limited.Craftsmanship elements is also appeared in Biennalle Jogja VIII2005 exhibition. In this article, we will tryto see and describe craftsmanship elements on a few sample visual art works, which is shown in BiennaleJogja VIII2005,4-22 December 2005, on theme "Di Sini dan Kini" (Consciousness o f the Here and Now).Key words: Crafttnanshipelement, Contemporer, Biennale Joya

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